The human experience in Watteau s The Storm and reviving the sinless in Delacroix s The sea of GalileeLouis Joseph Watteau s The Storm is more than of a romantic painting art object Eugene Delacroix s The sea of Galilee is more of a neo-classical paintingLet me form with Watteau s The Storm This painting is a romantic conk of cunning because of the general effect that its appearance brings to its onlookers . The attack is non and register it is only foreboding of its eventual coming . one-half of the portions of the clouds argon still filled with roughly sunny thinly only the other half was already covered with or so relentless clouds , signifying the threat of an upcoming storm . Below the clouds , we call some people working , doing some farm work while the weather is still quite good and the storm is not yet pouring .

They are maximizing the while doing what take to be done as perhaps they cannot put up with to put off the peasant s work . Looking more closely at the painting , we will see that what unassumingly takes the center of the canvas is a tree that is s motivelessly shift and is seemingly bald with the verdure of luscious leaves . The fading light-colored of the sun reflects itself on the awkwardly standing tree , accent its lanky stems and its listless statureFrom what we can see on the airfoil , this painting by Watteau typifies the characteristics of a amatory painting and the moods of the wild-eyed Movement...If you want to get a full essay, order it on our webs ite:
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