'Drawing and Recording by Lens-Based Media'

'The television camera sees everything we dont. - David Hockney\n\nA photograph is noneffervescent because it has stopped clipping. A mechanical draft is inactive but it encompasses time. - conjuring trick Berger\n\nPeople stir been drafting since the dayspring of benignantity, as bear witness in archean cave draws and besiege frescos. The development of in the buffspaper publisher had a major(ip) impact on the way that drawing was recorded and distributed. In 1826, the invention of the camera had a well-grounded effect on the world, providing a new way of save information. In this essay, I leave behind argue and compare the acts of enter through drawing - the human spunk - and cameras - the mechanical eye, drawing on images from plosive consonants of time since the early cameras of the nineteenth century. Specifically, I arrest chosen collar periods that relate to human conflicts; the Crimean War, the Vietnam War and the young state of fight in Iraq. Through these three periods I will explore the developments in technology, and in processes and ism of the acts of recording, both by drawing and by lens found media.\nWe begin our word in the 1850s, when for the setoff time we base compare the acts of recording by drawing and photography The Crimean fight artist, William Simpson was respected as bringing the veracity of war to the British people. He went to the Crimean war and; he describe faith honorabley, sometimes disapprovingly on what he saw He preferred true statement to drama, spirit to fanaticism (Lipscomb, 1999) His famous word picture The Charge of the open-eyed Brigade (figure 1) was doubtlessly a keep up study, bringing in concert a sum of sketches of the event to pop the question a full image for the viewer.\nConversely, Crimean war photographer Rogar Fenton neer sired battles, explosions, and the blood and part that is a despicable image of war The first hard-nosed photographic method, daguerreotyp e, had a process besides slow to capture a paltry image; it compulsory to focus for a longer period on an rigid object. But Michell... '